Urban Jealousy | the 1st International Roaming Biennial of Tehran



	Curators:
	Serhat Köksal has continued to develop his multimedia project 2/5BZ , initiated in Istanbul in 1986, up until the present day, expressing himself in a wide range of media forms. Besides audiovisual performances like “NO Touristik NO Exotic”, which have been shown internationally on 17 country 82 cities, Serhat Köksal has produced an uncountable number of Tapes, CDs, Video-Collages ,performances ,DVDs ,Vinyls, Stickers ,Posters and Copy-Zines since 1991 . In his project “NO Pipeline NO Exotic”, Serhat Köksal aka 2/5 BZ illuminates the common cultural clichés between Orient and Occident in a critical and humorous way, investigating their effects on people’s economic or political situation and individual states of mind. He employs collage and cut-up techniques, found film material, outdoor shots and samples. The project concentrates on concepts such as “Cultural Pipeline” and “Energy Dialogue” since 2007 begin , presenting them with Sound art and “Planetcore” live visuals on Italy, Sweden, Germany, Czech Republic, Austria, Iran, Poland, Russia, USA, Belgium, Holland, Belarus ,Switzerland ,France ,Latvia ,Denmark .Serhat Köksal aka 2/5BZ is co-curator of the International Roaming Biennial of Tehran and have interview with John Peel on 1994 for BBC world Service and have two times ' Peel Session ' in BBC Radio 1 and have interview about Turkish Pop Cinema on Channel 4 TV [Mondo Macabro television series 2001] and have selection in first wide-ranging book guide of audiovisual art and VJ culture in 2006 . Project presenting on the subject of Turkish Pop Cinema and Deconstruction, Exotic Tourism and Anti-City myths, Copy Culture and Remakes, critical sound art and audiovisual experimentation using found footage, field recordings and samples - in short: a critical and humorous re-use of mass culture . Serhat Köksal have grant artist residencies and solo exhibitions in Berlin,Warsaw,Vienna and living and working in istanbul . 2/5BZ aka Serhat Koksal 's " NO Exotic " CD / DVD released own label Gözel Records december 2007 and includin 2/5BZ John ' Peel Session ' BBC Radio 1 audio tracks and Club Transmediale 2003 Audiovisual performance video track in this selected works ' 1992 - 2007 'CD & DVD release .
	http://www.2-5bz.com http://www.myspace.com/2serhat5bz


	Amirali Ghasemi Media Artist / curator he graduated in 2004 with a BA in graphic design from Central Tehran Azad University, with research and emphasis on digital art history. In the summer of 1998,Ghasemi established Parkingallery ; an independent arts space in Tehran, and in 2002, Parkingallery.com, a virtual gallery, which has become an online platform for many young Iranian artists. He has shown his photography/videos/design works in Sweden, Netherlands, France, Austria, Belgium, Italy, Germany, Canada, USA, Australia, Turkey,Indonesia, South Korea, China, Taiwan and Japan. In addition, he has directed many audiovisual projects with Iranian rock bands. As a curator, he has directed many exhibition projects for Parkingallery project space and few exhibitions as guest curator. Among them: Deep Depression (2004) Transition (2005), Deeper Depression (2006), Lost in no space (2006), Limited access (2007) and URBAN JEALOUSY (upcoming in 2008). He is currently working as a Creative Director/Curator for Parkingallery projects & as a freelancer for various magazines, and is busy with his video installations and his ongoing interactive piece Tehran remixed, and writing about the Tehran arts scene and Iranian contemporary art in his web-log.


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	How it started.....Feb 2008 Urban Jealousy the 1st International Roaming Biennial of Tehran 30th May - 6th July 2008 Curated by Serhat koksal and Amirali Ghasemi

The theme of this biennial is URBAN JEALOUSY. A Jalousie * (“jealousy” in French) is a window that one can see through but not be seen; barriers that allow us to observe the world without being invited to the table. Iranian artists are given an understanding of what goes on in the world without being offered a single opportunity to communicate their thoughts—outside of our very own jalousie window: a rigid ethnic frame within an extremely politicized context.

Of all the huge urban areas around the world, Tehran stands out as a different kind of Megalopolis. It boasts one of the most dynamic art scenes in the Middle East even as the city itself deals with a rudimentary public transport system, an exploding population crisis, and an ever-increasing sprawl of mass housing; An unsightly city of experimental architecture that swallows entire villages and towns without offering them any sort of public services.

Despite its complicated urban situation—which according to experts has already spiraled out of control—artists’ societies in Tehran continue to hold numerous biennials in semi-tribal fashion. A great number of these events are government-sponsored projects whose outlook and also their premises can shift 180 degrees from one year to the next. Each community has its own set of ceremonies, as a result of which, any sense of solidarity among the artists is lost.

The Tehran Visual Arts Festival, The Calligraphy Biennial, The Sculpture Biennial, The Cartoon Biennial, The Painting Biennial of the Islamic World, The Graphic Design Biennial, The Children’s Books Illustration Biennial, The Painting Biennial, The Poster Biennial, The Poster Biennial of the Islamic World… the list is endless.

Although the legendary "TEHRAN BIENNIAL" goes back 50 years, not a single one of the above-mentioned events can be considered a biennial by prevailing and accepted international standards". An arts society recently published a call to boycott the upcoming Painting Biennial in order to demand a professionally curated exhibition, protesting the open call process and a “jury” they deemed unacceptable.

It seems impossible to have a proper Tehran biennial in Tehran, so our sprawling city and its elitist art scene remain excluded from the highly competitive art market in the region despite being surrounded from all sides by lucrative biennials and auctions. We may have great artists living and working in Iran, but we don’t have a chance to share the profits.

Tehran, as one may suppose, does not seem interested in presenting itself as a desirable destination for cultural tourism, by playing it ‘cool’ like other global cities, or scramble to be hip by coughing up the membership dues to be in the international art market.

So, to jumpstart the process, and after a long discussion with my friend, Serhat Koksal — a critic of the global biennialization process — we decided to curate a ‘mini’, on the move, Tehran biennial. To not only stop complaining about the current situation but to benefit from the advantages of it. An independent, low- budget, traveling exhibition which can be presented almost anywhere. We will travel like nomads, carrying artwork, objects, texts, and whatever, in a package no bigger than a medium-sized suitcase, preferably weighing less than 20 Kg., so it can be carried on any cheap flight.

Urban Jealousy will end its journey in May 2010,but Tehran’s Roaming Biennial will carry on.